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September 26, 2005

London Through the Eyes

a few rushed and partial notes & photos, London Through the Eyes of Londoners (17th Sept):

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Beryl Bainbridge, Bernard Kops, Al Alvarez, star turns who gave a convivial start to the afternoon, but disappointingly disappeared soon after. (Although before the start, I did have the following starstruck conversation: 'Hello, I'm Beryl'; 'Hello, I'm Robin'; 'Hello'.)

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My highlight - John the Cabbie - he gave us a disquisition on London's class system as expressed by bollards: solid, permanent, and overpainted with gold leaf in those districts where bankers work and sleep; shabby, explicitly derisory in areas where people are just a problem. He reveals to us the existence of a 'bollard sanitiser of old london town'. Then up jumps a certain ICA bigwig and instapundit (he knows who he is): having obviously not listened to any of this, but determined to show that in the 'culture industry' this is never a bar to getting your voice heard, he chortles "so what's the problem with bollards" through that well-known perpetual smug smirk; then disappears again, having made his mark (in the precise sense of the territorial pissing of an alpha male dog). Has ever 'critic' seemed more of an insult than in comparing this attention-seeking parasitism with this fine upstanding cabbie for whom driving is a thinking; who knows the city's occult weather-systems by heart, who actually has something interesting to talk about...? At this point, I remembered why I had initially met the suggestion of my participation with a protestation that I hated the ICA and everything it stood for. However, I digress: it was all worthwhile since John later let me in on the secrets of the cabbies cafes (qv). Apparently they were originally constructed, only in posh areas, to ensure that gentlemen's cabbies were not tempted into public houses there to become incapable of conducting a carriage responsibly. Now listed buildings, they are overseen by the Transport and General Workers' Union. Apparently (not that I'd have the courage to do this) the general public can buy tea from the hatch window, but only cabbies can go inside. And then – and this quite reinforced the mystique – it's not all cabbies - apparently there are certain cliques within cabbiedom who frequent these places, and others are not made welcome!

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Matthew Stone: "A pashernate existence. " Part of the artists collective WOWOW, he described how, coming to London determined to create a bohemian milieu against all the odds, they ended up squatting in a building on Peckham's erstwhile "golden mile" and living the life of Riley. This was quite refreshing after a few more negative speakers: but this was actually a positive side of the event, the fact that it fully took account of the ambivalence of Londoners towards their (un)home: Mark Saunders, a filmmaker, protesting against the level of everyday aggression encountered in the city, and the somewhat illusory and/or overwhelming amount of stuff going on ("Time Out: 1000 things you're not going to do this week....unless you've got a £100-a-week theatre habit") had already pithily expressed this perverse attraction thus: "unfortunately it's a centre". Katherine Hoskins gave a great account of the joys of being a pensioner in London.

Jude Rogers from Smoke magazine let us know what makes her, and this wonderful self-produced piece of Londonophilia, tick.

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The exquisitely-named Clifford Slapper (of Raymonds Revue Bar) and Daniel from Cuts gave fond and quite surprising accounts of Soho as a living community (including a barter system - Daniel describing how he used to trade entry to Ronnie Scott's for a haircut for Ronnie), in the past and present, and with an eye to possibilities of the future (apparently famous pub The Coach and Horses is soon to change hands). Daniel, sprinting in having left a customer with wet hair, regaled us with a breathlessly enthusiastic blast of anecdotes: stories of Soho "fixers" who could fix up just anything you want ("eleven men in full cricket gear, inside a boxing ring, buggering each other", perhaps) and legendary nightclub Gossips, where hard-as-nails hiphop homey Tim Westwood began his DJing career with leather trousers, handlebar moustache, and Freddy Mercury accent ("that's how I'll always remember him"!).

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The right royal Zandra Rhodes, dressed outrageously in pink with 5-inch-wide slices of agate on her rings, talked about Bermondsey, and the huge pink building she's erected therein.

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Lennie Lee, a man billed as a 'controversial artist' (who I've never heard of) launched into an amusing expletive-laden invective: "that fucking bitch the queen is still living in that shitty fucking building up there" provoking the expected response from the pipe-smoking retired major specially booked to react to such "outrage". There was some stand-up shouting on the subject of Iraq (weirdly, this subject seemed to haunt the whole event) and how much Mr Outraged would be required to give Lennie in order for him to leave the country. Lennie didn't really seem to have much interesting to say, and so he ended.

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Here is Mr (or perhaps Major) Outraged (apparently a fellow talk radio regular along with John the Cabbie) in a more mellow moment.

At this point, having been waiting since 3pm to be told when I'd be on, I was informed that I was to speak last, after the excoriating republican artist, and, as it turned out, after two shouty performance poets too. This surprise top billing, as well as sending me into an advanced state of nervousness that I had only just shook off with the welcome supply of free gin-and-tonics (no little luxury, considering the prices at this bar), also exemplified the disorganised nature of the event (if it weren't disorganised, why would I have been invited?), but in the end it was probably all the better for it. The curtain dividing behind-the-scenes panic from the stage was certainly lacunary - for instance, whilst the programme (which I didn't appear on due to administrative miscommunication....at least that's what they told me) for instance listed Naomi Hyamson as "sings London Songs", which indeed she did, and very well, it listed Zandra Rhodes as "needs parking space"!

It was difficult to know what it was all for, but interesting in its diversity: luckily, by the time we reached the end, it seemed that what I had to say (which of course you've already read, below) had resonances with the other speakers: most of whom had knowingly or otherwise located themselves somewhere or other in this problematic of the London we dream of and which we occasionally glimpse vs the sometimes disappointing, sometimes unpleasant London of fact.

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Naomi Hyamson sings Nöel Coward during the interval

Anyway, I got up and did my bit, which was something of an anti- (or post-) climax after all the shouting, and then it was all over.

Posted by robin at September 26, 2005 02:58 PM

Comments

Hi Robin

I was at the ICA that afternoon at Naomi Hyamson's invitation.

I had a message from her yesterday saying that she'd seen your piccie of her and asking could I please capture it for her (she's even less techno-minded than am I).

Any chance of a higher-res version of it so that I can print it for her -- if, of course, you're OK with that intellectual-property-wise ?!

She also asked whether anyone 'inadvertently' made a recording of proceedings (well, at least her bit). I didn't see anyone looking furtive with suspect bags or buttonholes, did you?

Thanks

Andy
(Milton Keynes)

Posted by: Andy Love at November 19, 2005 02:32 PM

Hi Andy, check your email!

Posted by: robin at November 22, 2005 11:03 PM